Fact: I wrote Sirena: A Mermaid Legend from Guam in 2010.
Fact: My brother, Sonny Chargualaf is the talented artist behind the imagery.
Fact: Our Sirena is copyrighted.
Fact: I haven't blogged in two years and this incident has made me mad enough to start again.
And so begins the story of a sister/brother team, who collaborated to bring a platform to our Chamorro culture and a book to honor their late father to the forefront.
Sirena, the legend of a mermaid, told to me first by my father and next by my teachers in Guam was always my favorite story. When my father died in 2007, I struggled with the loss. When my mother, moved back to Guam after living with me for a few years, I was again sad. I decided to channel that into creating a children’s book, retelling Sirena in my way. A legend that is public domain, that I wanted to spin into a rhyme. A book that I wanted to create with my artist brother. We began to collaborate via e-mail in May of 2010. By August of that year, I completed the book and Sonny brought to life a gorgeous cover and rich art for the story itself.
A thousand dollars later, invested with an independent publisher, Authorhouse, I had a product. A book dedicated to my dad, with a by line by me and illustration attribution to my brother. I never thought that the cover art would bring us anything but pride…
The first time we began to see the cover art reproduced without permission was for school projects. Children on Guam identifying with the image of Sirena from our book? That was fine. It is a classic representation of ‘imitation is the sincerest form of flattery’. These children were not using the image or their recreation of Sonny’s version of Sirena for financial gain. We smiled and moved on.
In 2015, within a Guam group I was connected with in my new home of Washington State, Sonny’s Sirena image emerged from the deep in the form of stickers. Stickers solely created to be sold for profit. Stickers he never approved. Money not entitled to the people involved in creating the sticker. A Sirena image hijacked from my brother. With some detective work, I received a name. I was begrudgingly given a phone number in Guam. I called and confronted the woman involved. She questioned me, asked me if I owned the image. She was confrontational and tried to make me feel guilty. I invited her to Google Sirena+Taimanglo+Chargualaf and she would see the book. She calmed down after I said my brother’s full name, then blamed a graphic artist she hired. I wrote a letter to the editor addressing this particular incident. It was received well by fellow artists, but scoffed at as being too harsh by others. Apparently, I wasn’t allowed to be upset or question my culture or fight for artists’ rights.
With 2018’s Mes Chamorro, Sirena was seen in numerous places again. A major grocery chain used the image on a large wooden cut out. Their explanation to my brother, the artist? “Oh, it was on Google.” McDonald’s did the same. Printing our Sirena directly from the book cover, minus my name and Sonny’s. My brother handled the calls and the companies gave their lame, ‘I didn’t realize’ excuses.
It’s Monday, the day after April Fool’s, and in the last week, in the midst of my brother’s visit from Guam, we had a stronger case of the misuse of Sonny’s Sirena. This particular company etched our Sirena on their product. They sold this product for a substantial price, $149.99. They went through the process of ‘hiring a graphic artist’ to create a Sirena, which is basically from our book cover. They debuted the product at the March 24th, Chamorro Cultural Fest in San Marcos, California. Ironically, a large annual event produced for the Chamorro people by the honorable non-profit group, CHELU’ Inc. of which I was a Board member for four years, being an organizer for the first 4 fests. Family, friends, those who know Sonny and me and our book began messaging us, tagging us, and questioning the validity of the use of Sirena on this product. Monday, March 26 was stressful. My brother just got to Washington to visit me and we had to deal with this infringement. It was fortunate for us that we were together. It made us fight stronger, in that our father’s 11th death anniversary was looming as well. He always taught us to stand up for ourselves. After finally getting a name for the company, a call was made. I recorded it, heard his explanation. Something not new to us, oh, the “graphic artist” did it. Stealing is stealing. They claimed it was an ‘honest’ mistake. That didn’t sit well with us.
They came up with a weak proposal and asked us to censor our posts on-line. They wanted us to remove “negative” posts on our business and personal social media accounts. Say what? Censorship? Nah. We simply requested help in finding the company owners. The responses from other people were outside of our power and their right to voice their opinion.
We didn’t agree to anything in writing, but suddenly Sonny’s name was being associated with them on their website. I screen shot everything. Yes, I did. I told my brother, it’s like they forced you into a marriage you didn’t agree to.
We discussed the limp proposal and offered a counter offer. After three days and no response, I checked their social media and website. I found that all traces of Sirena disappeared, even their post admitting that they did not mean to use Sonny’s artwork, but did. My brother followed up for a response. None was made. Big sister mode kicked in and I texted the co-owner. Finally, an emailed response came to Sonny only, I was not cc’d this time. They wrote that it was too bad that we didn’t accept their miniscule cut of the profits and that they took the product down. They are claiming to provide refunds to those who bought the unauthorized product. We have no proof that this has been done, at least not via their social media.
It’s like they are erasing the mistake and hoping we will also be silent. My brother and I can’t. Their mistake will not be made into a tall tale, because this is not fiction, it’s real life. We need artists to be protected. We need the infringement to end. There are still 30 of their products out swimming recklessly in the world. They claim they will relaunch the Sirena product with something original. They hope this won’t happen again to us. But, the damage was done. A price must be paid.
Sirena, the story, the legend belongs to us all. The artwork my brother created is his. Good luck to this company. We wish you the best, as long as you don’t force us to swim with you.
I am an AUTHOR, hear my words ROAR! My life is a garden of treasures, just doing some weeding to find my balance. Yin and Yang. Writing is my soul....This is the Official Blog of Author, Tanya Taimanglo (Secret Shopper).
Showing posts with label Chamorro. Show all posts
Showing posts with label Chamorro. Show all posts
Monday, April 2, 2018
Wednesday, January 20, 2016
Tales From Pasifika's Generous Review of Secret Shopper
Humbled by this latest review of Secret Shopper. "We don’t wait for the big storm to happen – we just live. This may be the reason why the plot is so incredibly believable and easy to relate to – this is not a fairytale you dream of, but a story solidly anchored in reality." -Tales from Pasifika
Click here to read more. Thanks!
Click here to purchase your paperback or eBook from Amazon.
Sunday, October 25, 2015
ChaNoWriMo about NaNoWriMo-Full Interview Here
Hello.
My Name is Tanya.
I love NaNoWriMo. National Novel Writing Month.
I love ChaNoWriMo. They gave me an opportunity to share my strategies to surviving 30 days of writing to reach the goal of 50K words.
They've been sharing bits of the interview on their wonderful Facebook page. Be sure to like them by clicking here. In case you missed those tidbits, here's the full meal.
Thank you and good luck if you're taking on NaNoWriMo. Click here for more information about this wonderful writing challenge.
1. What first got you interested in NaNoWriMo / ChaNoWriMo?
With NaNoWriMo, I can’t pinpoint how it came to my attention, but I believe it was via Facebook, perhaps a post from an author I follow. We were new to Washington State, making a long journey up the Pacific Coast for about a week in October. Once we settled in the area, but before we found our home, I remember being at our lodge and deciding to go for it. I needed a distraction from the stress of our long journey. I liked the idea of challenging myself to write 50K words in 30 days. That was 2012, and I’ve participated ever since. For ChaNoWriMo, I learned about it in 2014 and love the idea.
2. What keeps you going through a whole month, day by day?
Most days, it’s the story that unfolds in my mind—the characters, the events, the dialogue. But, for less motivated days, I love that NaNoWriMo keeps tabs on your daily word average. I also keep up with other writers in my city as well as those on Guam.
3. How much time do you try to spend writing every day in November? What does an average November writing day look like, for you?
I try to carve out time in the morning, before the family rush, and in the evening after the home is tucked in and sleeping. If I get a solid hour or two a day, I can meet my goal.
4. What (if anything) do you do in advance to prepare for actually writing the novel during November (drafting, outlining, lists of scenes, etc.)?
I’m a girl scout in that I’m honest. Sometimes I wonder if other NaNoWriMo participants start writing long before the November start date. For now, I’m debating in my head about two story lines. I don’t actually start writing (again, because of my innate honesty), but I may begin an outline and I love having my character names settled. It helps propel the story and my writing efficiency.
5. Any tips and secrets you would like to share on building plot, character, etc.?
I love sharing. It helps get writers motivated and stories born.
I keep files on my computer for each book I write. I include drafts, outlines, scenes, and character profiles. In my profiles, I may have “journal” entries of the main characters, lists of my character’s likes, dislikes, quirks, and personality. I even go so far as finding celebrities I envision as my character (as if in a movie) and using their pictures as a visual guide. Some people like music when they write, and I’m in that group. I make a ‘soundtrack’ for my book and it helps with feeling and tone as I write. In addition, I print out my drafts and use index cards and stuff them into a journal or folder. If I find time away from home, I have things in front of me that I can work on in my car, or the library, or a coffee shop. As much as I love computers, I keep printed copies of everything I have, so the progression doesn’t need to be dependent on my accessibility to my laptop.
6. Who are the Chamorro or Micronesian, Oceanic, writers that you consider role models?
There are so many. I love that Craig Santos Perez is making waves as a poet. I’m a fan of Sieni A.M. and Lani Wendt Young. I’ve been able to bounce off ideas and information with Young. I’ve met the wonderful author, Kristiana Kahakauwila and her short story collection, ‘This is Paradise: Stories’ is read worthy. And, I appreciate the art and writings of Dr. Judy Selk Flores. She continues to be an inspiration to me.
7. Any Pacific novels in particular that really inspire you in terms of what literature can do?
I feel like my last novel, Secret Shopper was a blend of Guam meets Bridget Jones’s Diary. I like what Lani Wendt Young has done with her YA Telesa Series, and I’m pretty fervent about her dive into Contemporary Romance/Comedy with her Scarlet Series now. For Guam, I am not aware of any novels that are in my genre specifically, which is women’s literature/romantic comedy. I have a number of projects in the Young Adult genre, and again, would love to see a rise in Chamorro titles out there.
8. What inspired you to use Chamorro motifs and language in various pieces of writing (especially in your wonderful short-story collection Attitude 13)? What do you think that adds to your work?
The biggest inspiration is being Chamorro. It’s what I know and what I am. My father passed away in 2007 and that’s when the short stories started to build in me and burst onto paper. I feel like writing stories that reflect my island and upbringing brings a mirror up to those readers from the same heritage and a light to those not familiar with us. I wrote Attitude 13 with a conscious effort to include Chamorro themes and ideals. I’m working on a volume 2 of short stories that I want to be more wide ranged and organic. I have many influences that I would like to seep into the writing.
9. What does the Chamorro canon of literature look like, to you? What do you dream of it looking like in the future?
It’s misleading to say it’s burgeoning, because, it’s always been there, a constant, but gentle flow. With the rise of indie publishing, there is more out there than we realize. Sometimes, and I invite others to try it, I type in ‘Guam’ or ‘Chamorro’ in the search bar of Amazon, under books. You’ll be surprised by what’s being published. Some of them come from a genuine place and from Chamorro writers. My hope is that Chamorro writers, whether on Guam or other places in our great big world, continue to write, to hone the craft, and be bold and publish.
10. What advice might you give about publishing, promotion, etc.?
I’ve been doing self promotion since 2010. I’ve attended Chamorro Festivals up and down the west coast—selling my books, speaking on writing and publishing. Social media is a big help to authors, so as introverted as I may be, I utilize Twitter, Facebook, LinkedIn and my blog, Guam Goddess in Training, to my advantage. I used to carry business cards, but found them, at least for me, an uncomfortable tool.
In terms of publishing, indie publishing is great. I used Authorhouse in 2010 to publish Sirena and Attitude 13. I didn’t in 2013 when I self-published Secret Shopper. The difference, money. Amazon’s Createspace offers a free self-publishing program. I’ve done the traditional publishing route too and hold my numerous rejection letters as trophies of honor. I would travel that route again, once I’ve polished a manuscript I deem worthy enough to submit. Find yourself a publishing company, large or ‘boutique’ and follow their submission guidelines. Brace yourself for the sound of crickets, i.e. ‘no response’, or a cookie cutter rejection letter, but don’t stop, because what one publisher might turn their nose up to, another might love.
11. Are there any historical or current events that inspire you in terms of writing?
I can’t say that there are any specific events. I’m very inspired by people who are underdogs or wallflowers who rise to an occasion, even if it’s just discovering their own power. I’m inspired by other writers who keep trying. And, that’s why I love NaNoWriMo, because it gets me to wring that story out of my brain, which would otherwise not happen.
Facebook https://www.facebook.com/TanyaTaimanglo
Twitter https://twitter.com/TanyaCTaimanglo
My Name is Tanya.
I love NaNoWriMo. National Novel Writing Month.
I love ChaNoWriMo. They gave me an opportunity to share my strategies to surviving 30 days of writing to reach the goal of 50K words.
They've been sharing bits of the interview on their wonderful Facebook page. Be sure to like them by clicking here. In case you missed those tidbits, here's the full meal.
Thank you and good luck if you're taking on NaNoWriMo. Click here for more information about this wonderful writing challenge.
1. What first got you interested in NaNoWriMo / ChaNoWriMo?
With NaNoWriMo, I can’t pinpoint how it came to my attention, but I believe it was via Facebook, perhaps a post from an author I follow. We were new to Washington State, making a long journey up the Pacific Coast for about a week in October. Once we settled in the area, but before we found our home, I remember being at our lodge and deciding to go for it. I needed a distraction from the stress of our long journey. I liked the idea of challenging myself to write 50K words in 30 days. That was 2012, and I’ve participated ever since. For ChaNoWriMo, I learned about it in 2014 and love the idea.
2. What keeps you going through a whole month, day by day?
Most days, it’s the story that unfolds in my mind—the characters, the events, the dialogue. But, for less motivated days, I love that NaNoWriMo keeps tabs on your daily word average. I also keep up with other writers in my city as well as those on Guam.
3. How much time do you try to spend writing every day in November? What does an average November writing day look like, for you?
I try to carve out time in the morning, before the family rush, and in the evening after the home is tucked in and sleeping. If I get a solid hour or two a day, I can meet my goal.
4. What (if anything) do you do in advance to prepare for actually writing the novel during November (drafting, outlining, lists of scenes, etc.)?
I’m a girl scout in that I’m honest. Sometimes I wonder if other NaNoWriMo participants start writing long before the November start date. For now, I’m debating in my head about two story lines. I don’t actually start writing (again, because of my innate honesty), but I may begin an outline and I love having my character names settled. It helps propel the story and my writing efficiency.
5. Any tips and secrets you would like to share on building plot, character, etc.?
I love sharing. It helps get writers motivated and stories born.
I keep files on my computer for each book I write. I include drafts, outlines, scenes, and character profiles. In my profiles, I may have “journal” entries of the main characters, lists of my character’s likes, dislikes, quirks, and personality. I even go so far as finding celebrities I envision as my character (as if in a movie) and using their pictures as a visual guide. Some people like music when they write, and I’m in that group. I make a ‘soundtrack’ for my book and it helps with feeling and tone as I write. In addition, I print out my drafts and use index cards and stuff them into a journal or folder. If I find time away from home, I have things in front of me that I can work on in my car, or the library, or a coffee shop. As much as I love computers, I keep printed copies of everything I have, so the progression doesn’t need to be dependent on my accessibility to my laptop.
6. Who are the Chamorro or Micronesian, Oceanic, writers that you consider role models?
There are so many. I love that Craig Santos Perez is making waves as a poet. I’m a fan of Sieni A.M. and Lani Wendt Young. I’ve been able to bounce off ideas and information with Young. I’ve met the wonderful author, Kristiana Kahakauwila and her short story collection, ‘This is Paradise: Stories’ is read worthy. And, I appreciate the art and writings of Dr. Judy Selk Flores. She continues to be an inspiration to me.
7. Any Pacific novels in particular that really inspire you in terms of what literature can do?
I feel like my last novel, Secret Shopper was a blend of Guam meets Bridget Jones’s Diary. I like what Lani Wendt Young has done with her YA Telesa Series, and I’m pretty fervent about her dive into Contemporary Romance/Comedy with her Scarlet Series now. For Guam, I am not aware of any novels that are in my genre specifically, which is women’s literature/romantic comedy. I have a number of projects in the Young Adult genre, and again, would love to see a rise in Chamorro titles out there.
8. What inspired you to use Chamorro motifs and language in various pieces of writing (especially in your wonderful short-story collection Attitude 13)? What do you think that adds to your work?
The biggest inspiration is being Chamorro. It’s what I know and what I am. My father passed away in 2007 and that’s when the short stories started to build in me and burst onto paper. I feel like writing stories that reflect my island and upbringing brings a mirror up to those readers from the same heritage and a light to those not familiar with us. I wrote Attitude 13 with a conscious effort to include Chamorro themes and ideals. I’m working on a volume 2 of short stories that I want to be more wide ranged and organic. I have many influences that I would like to seep into the writing.
9. What does the Chamorro canon of literature look like, to you? What do you dream of it looking like in the future?
It’s misleading to say it’s burgeoning, because, it’s always been there, a constant, but gentle flow. With the rise of indie publishing, there is more out there than we realize. Sometimes, and I invite others to try it, I type in ‘Guam’ or ‘Chamorro’ in the search bar of Amazon, under books. You’ll be surprised by what’s being published. Some of them come from a genuine place and from Chamorro writers. My hope is that Chamorro writers, whether on Guam or other places in our great big world, continue to write, to hone the craft, and be bold and publish.
10. What advice might you give about publishing, promotion, etc.?
I’ve been doing self promotion since 2010. I’ve attended Chamorro Festivals up and down the west coast—selling my books, speaking on writing and publishing. Social media is a big help to authors, so as introverted as I may be, I utilize Twitter, Facebook, LinkedIn and my blog, Guam Goddess in Training, to my advantage. I used to carry business cards, but found them, at least for me, an uncomfortable tool.
In terms of publishing, indie publishing is great. I used Authorhouse in 2010 to publish Sirena and Attitude 13. I didn’t in 2013 when I self-published Secret Shopper. The difference, money. Amazon’s Createspace offers a free self-publishing program. I’ve done the traditional publishing route too and hold my numerous rejection letters as trophies of honor. I would travel that route again, once I’ve polished a manuscript I deem worthy enough to submit. Find yourself a publishing company, large or ‘boutique’ and follow their submission guidelines. Brace yourself for the sound of crickets, i.e. ‘no response’, or a cookie cutter rejection letter, but don’t stop, because what one publisher might turn their nose up to, another might love.
11. Are there any historical or current events that inspire you in terms of writing?
I can’t say that there are any specific events. I’m very inspired by people who are underdogs or wallflowers who rise to an occasion, even if it’s just discovering their own power. I’m inspired by other writers who keep trying. And, that’s why I love NaNoWriMo, because it gets me to wring that story out of my brain, which would otherwise not happen.
Facebook https://www.facebook.com/TanyaTaimanglo
Twitter https://twitter.com/TanyaCTaimanglo
Friday, September 11, 2015
Let's Support Art and Writing! The Dark Reaches
Here's a Kickstarter Campaign that’s personal to me. My kid brother, awesome artist (HeroesandHeadkicks), Sonny Chargualaf is to be included in some major artist company and I couldn’t be more proud. Literally, I’m so proud, I’m blogging about this before my morning coffee and that’s a big deal.
The Dark Reaches is a horror anthology spearheaded by Rus Wooton (The Walking Dead). With your support, this project can take off.
Thanks in advance! Share and share and share. Link here.
https://www.kickstarter.com/projects/ruswooton/the-dark-reaches-horror-anthology-comic/description
Tuesday, May 26, 2015
Guam Goddess in Training Does a Book Review! 'Scarlet Lies' By Lani Young
“Scarlet, are you a cynic?”
“No, I’m a realist. I think you’ll find many romance writers are.”
*SPOILERS.
This is a book review of Lani Young’s ‘Scarlet Lies’ (Book One of the Scarlet Series). I was excited to receive this book from Lani herself in April. There are so many reasons I love anything Lani does and so many ways I loved ‘Scarlet Lies’ even before reading it. For one, Lani has become one of the strongest female voices for Pasifika writers. Her ‘Telesa’ series (YA) is a force upon itself. Young’s work is important because it offers islanders of all backgrounds a connection to characters who reflect their culture. We need more stories about US in this sea of literature, and she is a pioneer. Photo:jennphotog.com
I nibbled at ‘Scarlet Lies’ at first, getting to know Scar, the heroine of this story. Sometimes I devoured entire sections of the book; much like Scar would when faced with a tasty dessert. I had many LOL moments and many moments of cultural connectedness. I’ve discovered so much of the Samoan life reflects my life as a Chamorro from Guam. As I jumped from chapter to chapter, I highlighted sections in blue that hinted at Scar’s tortured past, pink for cultural observations, and brown for progression in her connection with love interest, Jackson.
Jackson=perfection. I’ll leave it there and let you discover more about him. #JasonMomoa
Young does an excellent job of giving you glimpses of the true pain that Scar has lived with. The Scarlet Letter A, so to speak that she’s been branded with controls her life in so many ways. And aren’t we all tortured by something in our past? Being from an island, they don’t let you forget it, do they?
The writing, every delicious layer, kept me eager to find out more about Scar. The broken Goddess that she is, Scar begins an evolution in this story. Scar is such a real person in my mind that I want to be her friend and bask in her unknowing awesomeness. I love that she is a dessert fiend and also blogs. Big Brown Beeetch.com, I wish it existed, trust me I checked. But Scar’s blog exists in this book and Young folds it into the story expertly. And Lani's blog link is here.
Without giving away too much more about this lovely story, because you should really get a copy and read it for yourself, I will praise Young’s writing magic and the journey I took with Scar. I identified with lovely Scar immediately—from being more woman than the norm #curves, to her predilection for anything sweet #croquembouche, and her admiration for sculptured physiques #mancandy, ‘Scarlet Lies’ is a complex, sophisticated dessert of a story and I cannot wait for the next serving, ‘Scarlet Secrets’.
Sunday, April 26, 2015
United Roots Event-Island Night at The Jet Club
Me, stay out until 2:30 AM? Unheard of, at least in the last ten years (I even wore contacts, that's major). But, being a part of United Roots, a group gelling to promote Guam/Marianas culture, I did. I'm happy to be connected to a group of twelve talented Chamorros/Guamanians. Just sharing the Animoto videos I created to commemorate last night's fun.
Biba, Chamorro! Biba, Guam! Biba, Ma Tulaika! And, Biba, to cha cha dancing in a 2' x 5' space. It was awesome to see our elders smile, dance, and enjoy.
Biba, Chamorro! Biba, Guam! Biba, Ma Tulaika! And, Biba, to cha cha dancing in a 2' x 5' space. It was awesome to see our elders smile, dance, and enjoy.
Thursday, January 22, 2015
Finally...
...an effort to promote Chamorro Writers.
Happy New Year.
Sharing this link and a list of Chamorro writers. Happy to be #67. Yeah, it's in alphabetical order. Needed this to fuel more writing inspiration.
Click on the LINK here.
Here's my author page for the latest. Facebook, Tanya Taimanglo.
Happy New Year.
Sharing this link and a list of Chamorro writers. Happy to be #67. Yeah, it's in alphabetical order. Needed this to fuel more writing inspiration.
Click on the LINK here.
Here's my author page for the latest. Facebook, Tanya Taimanglo.
Wednesday, June 18, 2014
Let's Meet...M.B. Dallocchio, The Desert Warrior.
"Writing can't change the world overnight, but writing may have an enormous effect over time, over the long haul." --Leslie Marmon SilkoHere's the wonderful interview!
M.B.(Wilmot) Dallocchio first came onto my radar via my cousin/business partner at Guam Books and Beads, Alison Taimanglo Cuasay (Tasi & Matina). I recall Alison showing me Dallocchio's artwork. They share the commonality of being war veterans and Chamorritas and that made us both instant admirers of Dallocchio's art and writing. I was excited and honored to meet Dallocchio this past March in San Diego at CHE'LU's 5th Annual Chamorro Cultural Fest. The beauty of our meeting is that we are united in celebrating each other's works and I'm thankful that we have connected.
*@ CHE'LU's Chamorro Fest, March 2014. (L-R) Taimanglo, M.B. Dallocchio, Judy Flores, Alison Taimanglo Cuasay.
1. Labels can be bad, but with someone as multi-faceted as you—it helps us understand the many hats you wear. If you could string a necklace with beads that represent what/who you are, what words would be on those beads? (Mine would be mother, military spouse, geek, Chamorrita, goddess in training, writer, self-doubter, dreamer, amateur drummer, karaoke diva, etc.)
Chamorrita, warrior, mother, friend, writer, itinerant artist, surrealist, diviner, globe-trekker, foodie, desert nomad, combat veteran, visionary.
2. Where would you like to see yourself in ten years?
Hopefully in Santa Fe or Taos, New Mexico with my family.
3. Tell us about The Desert Warrior. Contact information? How to purchase your art/book? Appearances?
I wrote a book under my old name, M.B. Wilmot, called “Quixote in Ramadi” and it can be purchased on Amazon (red cover edition). You can purchase my art and books at www.thedesertwarrior.com.
4. You have stunning imagery with your art. What’s your favorite medium(s) for your art?
I like combining acrylic and ink the best, but I prefer to print my finished products on metal. I think my work stands out best on metal for some odd reason.
5. Who are your influences, in writing/art?
Frida Kahlo and David Cerny (Czech artist) are my two biggest influences when it comes to art, but writing is a different story. I really enjoyed “Desert Solitaire” by Edward Abbey as well as books by Carlos Castaneda, Leslie Marmon Silko, Paulo Coelho, Winona LaDuke, and Sherman Alexie.
6. If you could rid the world of one (or two things-or more) what would they be and why?
Indifference and bigotry. Those have been the two most evil sources I’ve seen in my life.
7. You are a native Chamorro from the Northern Marianas Islands from your maternal side. Have you visited the CNMI? What do you miss most about home, the culture?
We used to visit Saipan quite a bit as a kid, but we actually moved to Guam for a few years where I attended Piti Middle School and Oceanview High School (before they moved everyone to Southern High). The parts of Saipan Chamorro culture I miss is that there is less pretension, or there was less pretension years ago. With growing influences of US and East Asian culture, I think people are changing. However, I am seeing a lot more Chamorros waking up to how events around the globe affect them, as it has always been that way since Spain colonized us in the 1500s. I would say that I miss the cooking, but my mom taught me well, but the clear water in Saipan, the persistently calm, ambient environment is always missed.
8. Your book, Quixote in Ramadi: An Indigenous Account of Imperialism has made what kind of impact in the military community? What feedback have you received? Any memorable encounter from a reader?
I have had quite a few people I didn’t know personally who read the book and thanked me via Facebook for telling my story as they could relate to it. My story is not your typical white Anglo-Saxon protestant story of Johnny or Jane going to war or coming home from war. I didn’t glorify war in any sense of the word, and I think it’s a mistake to view death and dying as patriotic or romantic. I have had more interest on the book overseas and with other veterans of color, but after presenting it at the Commonwealth Club in San Francisco, I think that’s starting to change.
9. Any plans for future books?
I’m currently wrapping up a memoir about coming home called, “The Desert Warrior”. It’s narrated from the point of my return from Iraq and discloses how Chamorro culture and other Indigenous cultures and people helped me to survive after being practically abandoned by VA and other veterans groups who simply didn’t have room for a minority female combat veteran.
10. Would you let your child join the military?
Joining the military is a personal decision and I’m not one to completely encourage or deny one’s vocation. However, I would encourage her to be as educated as possible before making any commitments.
11. What organizations or groups are you affiliated with?
I am still affiliated with “Los Veteranos de Arizona” in Phoenix, and a few veterans’ art projects on occasion. I also support indigenous activism in the Americas. I’m careful about who I align myself with and I tend to do a lot of my work and activities on my own or with my close friends and family.
12. How has life after the military been?
It was a struggle at first, but I found my way through. “The Desert Warrior” will be very detailed on how that was, but in the end and with much perseverance, I’m still standing.
13. Where can we get the latest about you?
Any updates or information is viewable on my website at www.thedesertwarrior.com or my blog www.quixoteinramadi.com.
Saturday, June 14, 2014
Happy Father's Day
My father passed away seven years ago. His legacy has touched many aspects of my writing, coming through in my blog posts, demanding a major role in my romantic comedy, Secret Shopper and creating ripples in many of my short stories.
To say that I miss him is a major understatement. There are so many reminders and echoes of my father, Tedy Gamboa Chargualaf in my everyday life. Not to mention that my son looks like him, in stature, in his handsome face, in his kind heart and also at times in his stubbornness. I’m reminded that my father is absent in my daughter’s life at major milestones like her Kindergarten promotion this week or the fact that she finally has one of her baby teeth loosening. I know he would have loved her, so I remind my children (my son was 1 ½ years old when his ‘Tata Tedy’ died), that they are extensions of this great man I love.
To honor my dad this father’s day, I just wanted to share 7 memories, some sweet, some sour.
1. I’m a Mermaid.
Massachusetts. I was the ultimate tag along. My dad was going fishing. I wanted to go too. I was about four years old. The pond, scummy and green looked otherworldly to my little girl eyes. My father went about his business of fishing as we sat in a tiny boat. He dropped tiny red balls in the water around us to attract fish, which was absolutely fascinating that I just had to dip my face in the water to discover where these things went and what they did. Along with heading into the water face first, the rest of my body followed. I had a few seconds of floating in a beautiful sea of green water, dotted with red. I’m sure it was cold, but I don’t remember that now. My father, with one strong arm, lifted me out of the water and put me back into the boat. His face was mingled with relief, horror and anger. But, in my memory I detected amusement too. My little dip into the unknown ended our fishing trip.
2. Pillow Rides!
Massachusetts. Sitting squarely on a pillow, my father grasped each side and offered my brother and I turns on a magic pillow ride. I remember soaring so high I could touch the ceiling and being in awe of my father’s strength.
3. Death Stare.
Guam. Red light. A man in a taxi stared at me while we waited at a traffic stop in East Hagatna. I was 13. I began to slink into my seat, trying to disappear. My dad, aware asked what my problem was. I told him it was nothing, but then he looked around us and found the man. At this point, I was completely on the floor of the car, both embarrassed by the unwanted attention and afraid of my father’s wrath. He told me to sit up, and in a flash flipped the bird to the man and yelled some choice curse words. The man mouthed, “Sorry,” and put his hands up in surrender. Green light.
4. The Second Love.
Guam. My first major heartbreak. A relationship of nearly seven years ended and my parents let me react the way I needed to, anger, sadness, hunger strike, desperation, chocolate binging. But, when I packed up two trash bags of my ex’s gifts and placed it by the back door, my father said, “Atta girl. I never liked him anyway. Don’t worry, in this family the second love is the one that’s real.” And, he was right.
5. Common Nonsense.
My father gave tough love. And, in those times he questioned our maturity he would always say, “Wow. My kids are so smart, but sometimes you have Common Nonsense.”—his word play on our lack of common sense.
6. I’m Going to Knock You Out.
Guam. I don’t condone violence, unless it’s for survival, but my father grew up a fighter. Of course, being a family man tamed him, but my mother would share stories of my father’s shenanigans during his young Army days in Korea. When I was twelve, we were at a neighbor’s barbecue. A man, whose ‘common sense’ was soaked in the many beers he drank, set his sights on my dad. He sat next to my father and touched his arm. “Wow, you are strong.” He said derisively. My dad shoved the man, nearly knocking him off his chair and warned him not to touch him again. The drunk persisted. Then in an instant, my father had punched him in the face and he crumpled to the floor. “I told you not to f’ with me.” It was the only time I saw my father violent first hand. I was upset all day because we left the party, but also afraid that the man and his teenage sons would want retribution. We lived on the next street over and as they pulled their limp father into the bed of their truck, the son told my father he would come back for him. My father wasn’t ruffled and nothing came of it.
7. College Classmates.
University of Guam. As I was finishing my education/English degree at UOG, my father started taking courses too, already a Chamorro teacher at John F. Kennedy High School. “Would you mind if we were in the same class?” He would ask shyly. “You won’t be embarrassed?” It was interesting to see his concern, but I was an adult then and proud that my father was brave enough to step into the college realm to better himself. “I won’t be embarrassed!” I told him. “I would be proud! Just don’t ask me to do your papers for you.”
Saturday, May 31, 2014
But I Would Drive One Hundred Miles, and I Would Drive One Hundred More.
"He who is not courageous enough to take risks will accomplish nothing in life."--Muhammad Ali
Hundreds of miles of driving to sell one book. Yes. I did that, twice.
An indie writer’s hustle is never ending. For me, a high functioning introvert, that is taxing on my nerves. So, twice in the month of May, I sojourned south to attend two events.
On May 3rd, I attended a Guam fiesta in Graham, Washington. Miles logged? 88.
The San Jose Fiesta was hosted by the generous Leon Guerrero family. Two rows of vendors braved the rain and cold to showcase their wares. I was happy to be canopy mates with author and Principal Investigator at Hålé Chamoru ~ Chamorro Roots Genealogy Project, Bernard Punzalan.
I was grateful for the exposure to a new Chamorro audience. The extensive buffet of Chamorro cuisine was also a great pay off. Vending was free with a small contribution of two books to the hosts for a raffle. After selling one book, I resigned to the fact that I would end the day with that one success. I looked on the bright side. I had quality time with my best friend who drove in from Tacoma. My son hung out with his godparents. I met up with my former Tae Kwon Do classmate, who I last saw when he was a preteen, now a husband and father. I met a former JFKHS teacher whom I shared the honor of working in the Tourism Academy. And, I met up with a former volleyball teammate who I haven’t seen in over twenty years. So, a good day all in all.
On May 28th, I drove down to Gresham, Oregon to attend Mt. Hood Community College’s 3rd Annual Hang Loose Luau. Miles logged? 240.
I had reservations about attending a seemingly “Hawaiian” event, but the R.I.C.E. member I knew (again a child classmate from Tae Kwon Do) assured me that it was a celebration of all things Pacific Islander. Thankful that my best friend joined me, we set off for a cold, rainy luau. After three hours of vending, I sold one book. Sirena (my little mermaid) seemed to be the most popular with passerbys. I had to remind myself that there were many a starving college student who may not have the disposable funds to purchase books. It was a good day anyway, since I saw up close, hula dancing, enjoyed 90s R & B music (apparently a favorite genre of the dj, but not mine), and bonded with my bestie since the 10th grade.
In the end, after two events, I logged 328 miles of driving, make that 656 counting the drive home.
Books sold? 2.
Redemption? Selling 2 books to the owner of PDX671.
Additional redemption? People, experience, hanging with my bestie twice, Guam food and doughnuts.
Meanwhile, 6,000 plus miles away across the Pacific Ocean, in my home-island of Guam. My short story collection, Attitude 13 has been featured in a two part series for Marianas Variety Guam’s Sunday Variety-Literary Corner. The links to the digital copies are here. PART 1. PART 2. It’s a nice way of getting my short story, Resurfacing in the public eye. So, thank you to the editor, Mar-Vic Cagurangan for considering me. It’s an honor! And, as any indie author will tell you, if the experience helps me sell just one book, then it was worth the effort.
Further, a blogger friend and supporter of my writing in Poland has featured a great review of Attitude 13 on her blog. LINK here, as well as an interview of me. LINK here. Thank you, talesfrompasifika!
Wednesday, May 21, 2014
Attitude 13 Receives a Lovely, Honest Review
"In addition to being very interesting, the book is also beautifully written. The author is a former English teacher and that can be noticed quite easily. Vivid imagery changes the words into thousands of pictures that appear in your mind, unlocking your imagination. Suddenly you are transferred to a different place, far away from home, where the youngs and olds share their stories with you."
--TalesFromPasifika.com
I never thought I could say I had a friend in Poland. But, I do.
I never thought my stories or my words would impact someone in another country. But, they do.
I'm thankful for the support of the wonderful blogger of TalesFromPasifika. Someone who loves all things Pasifika, who took the time to learn about me and my books. Someone who supports me unsolicited.
Here is TalesFromPasifika's review of my collection of short stories, Attitude 13.
LINK HERE!
You can follow this great blog on TWITTER! @PasifikaTales
Always grateful,
Tanya Taimanglo
Wednesday, May 14, 2014
Let's Meet...Tony Dela Cruz, Artist of TDCart
"All children are artists. The problem is how to remain an artist once he grows up."--Pablo Picasso
I've decided to start a Let's Meet...series to highlight artists, writers and the like whom I admire.
Tony Dela Cruz, a fellow islander from Guam is the FIRST subject of my series.
I've met Tony once, at a Comic Con, which is no surprise to people who know me. I set off to find him at the artists’ tables because my brother and sister-in-law told me he was there. Rose City Comic Con was a welcoming, laid back experience and finding Tony was a breeze (I compare my Portland con experience to San Diego’s, which is massive and overwhelming and tons of geeky fun having been to twice).
When I found Tony, he recognized me as my kid brother’s sister. Sonny is also an artist. We exchanged pleasantries and I recall asking him if he had any Wonder Woman art, my favorite hero of all time. He graciously directed me to another artist, but I leaned in and told Tony that I would only want to support him, both being from Guam.
Thanks to Facebook, I’ve been able to watch Tony’s art portfolio grow. I’m eying several of his Wonder Woman designs and will make good on my promise. Soon, Tony, soon!
With his own words, I hope you enjoy learning more about this talented artist!
1. When did this passion for art start?
Pretty early, a couple things really stand out, I remember being a kid watching some artist on PBS drawing workers on a bridge with charcoal and I recall trying to copy what the artist was doing as he was doing it. I also grew up watching my Dad doodle on tiny strips of paper, something I find myself doing from time to time to this day.
2. Why the comic genre specifically?
When I was 13, a lot of my classmates and specifically my cousins were heavily into comic books. It was either that or Dungeons and Dragons, which I never really understood. I opened up one of my cousin’s comic books and I was just hooked from the get go. I started collecting then and have yet to stop. Comics have also helped me grow my skills too. I believe if you’re going to learn something why not incorporate things you love and make the journey enjoyable.
3. Where are you based?
I am based in Seattle, WA more specifically West Seattle.
4. Where can people see your art, purchase? Contact info.
I am currently hosting an art page on Facebook (facebook.com/TDCart) I also have my professional portfolio page (adc1171.wix.com/adc.) This site showcases my professional work in the gaming industry. I also now have an art store (tdcart.storenvy.com) and I can be reached at adc1171@gmail.com
5. How is the comic con experience for you as an attendee/fan and artist vendor?
The funny thing is have been doing conventions for 8-9 years now and have only attended as a fan once. As an exhibitor in Artist Alley it has been an enriching experience. It has pushed me out of my artistic shell and comfort zones and has forced me to grow and learn to network and market myself better as an artist. Something not every artist is taught in school.
6. How would you describe your style?
I tend to favor a very illustrative style. Comic books have definitely influenced this. I used to work as a graphic artist on Guam and some elements of that type of work also drive certain decisions.
7. Who are your influences?
In comics, I was very influenced in my youth by John Byrne, Art Adams, John Buscema, Jack Kirby, Walt Simonson to name a few. More modern artists have played a role as well like Alex Ross, his composition and sense of design is very strong. In terms of art as a whole, Normal Rockwell, Salvador Dali, and the great masters of course.
8. Which character(s) are you all time favorite(s) to illustrate?
My absolute favorite character to draw is the Hulk. By far, the most challenging yet most liberating. I actually find myself making angry faces/expressions as I draw him.
9. What medium do you illustrate with? Digital? Paints?
I primarily use the digital medium nowadays. Photoshop, Sketchbook Pro and Manga Studio are my go to tools now. But when all else fails I always go back to pencils and paper. I just feel I am most comfortable with a pencil in hand.
10. Any comments/observations/criticisms on any of the upcoming comic based movies?
As a whole I think we are living in a great era of cinema and comic books. Advances in technology have helped. My personal opinion though is that the writing has yet to catch up. The movies coming out of the Marvel/Disney pairing are a strong step in the right direction. There are still some curious creative choices being made from the top out there. It’s definitely a challenge when the Internet and the notion of ”creating something new and exciting” come into play. My biggest criticism is too much information gets spoiled early now. A certain movie that just came out is a perfect example of overexposure killing interest.
11. Marvel or DC?
Ah, I grew up Marvel. To this day 98% of my monthly pull box at the comic shop is still Marvel. There was a brief dalliance with the DC universe in the mid to late 80’s, but that has stopped as a whole. I’m not knocking the DC universe, but my first love of comics will always find me back at Marvel.
12. We are commonly connected because of growing up on Guam. What do you most miss about the island?
I definitely miss the people and the culture. I love Seattle, and generally people here have been terrific, but nothing beats home.
13. Please add any additional information you would like the readers to know about you.
As a Marvel fanboy, it was my dream come true to work first hand on an online game for Marvel called, Marvel Superhero Squad Online as well as providing artwork for the physical trading card game that accompanied.
Thank you, Tony! Please check him out at TDCart!
Wednesday, May 7, 2014
Happy Anniversary, Phoenix and Thomas!
My romantic comedy, Secret Shopper has been swimming in the indie author literary universe for a year now. It's been nice getting feedback, both good and bad about this love story.
Thank you, everyone! The EBook is just 99 cents for a few more days as a celebration.
LINK HERE!
Thank you, everyone! The EBook is just 99 cents for a few more days as a celebration.
LINK HERE!
Thursday, April 24, 2014
The Seattle Globalist Makes Us Feel Legit.
"Where Seattle Meets the World"
Thank you to The Seattle Globalist and writer, Dakota Alcantara Camacho for interviewing me and Chamaole Pino Restaurant owners, Melody Arreola and Chris Smith for this article. It's nice to have our fledgling group, United Roots recognized especially for our first event this Saturday in Everett. Here's the LINK!
http://www.seattleglobalist.com/2014/04/24/pacific-islander-arts-showcase-everett/23701
Tuesday, April 1, 2014
Being Chamorro, Missing My Father and Thomas Jacob Black.
Reflecting on my weekend in California. March 27-March 31, 2014
It had been a year and a half since I left San Diego, California. A place that became my home after I moved from Guam, the obligation of being a Navy wife. After 8 years of setting down semi-permanent roots, really being more like a potted plant, we moved north.
I had to loosen ties with the Chamorro group CHE’LU and hence my participation in their 4th Annual Chamorro Cultural Fest in 2013. (Don't get me started on my San Diego Comic Con withdrawal). But, this last weekend, I spent four days in California, attending the fest, the Uno Hit Conference and reconnecting with family and friends.
SATURDAY: Being at the fest was like I was set on a cultural recharge docking station. I didn’t realize how much I needed to reconnect until I was actually there. I enjoyed the sun that day. Jacobs Market Creek Plaza is really a little utopian gem with its mini cultural houses. It was great to see colleagues and friends and family. I set out to sell 200 books, but only met a quarter of that goal and I thank those who took the time to purchase my books. Thank you to Sandy and Dr. Judy Flores of Guam Batik Gallery, our tireless and wonderful booth mates.
I made many new friends, like the talented artist, author, vet and fellow Chamorrita, M.B. Wilmot, best known as The Desert Warrior. I thanked Rear Admiral Peter Gumataotao for his service. He is the highest ranking Chamorro in the Navy and he makes us all proud. I spent time catching up with old friends who told me for weeks how excited they were that I was coming back to town. I’ve been honored by the love my San Diego family has shown.
SUNDAY: Uno Hit’s 2nd Annual Conference was held Sunday at the Sons and Daughters of Guam Clubhouse. My mali’ and business sister of Guam Books and Beads and I attended, our sore feet and sun soaked skin barely recovering from the fest the day before. In our stillness during the conference, it was our brains and my Chamorro heart that worked overtime.
I was moved by Sakman leader and cultural enthusiast, Mario Borja. His repetitive message that yes, his endeavor of sailing the sakman (canoe) to Guam from the mainland may be “crazy” resonated with me. They are willing and prepared for this passionate journey and who are we to judge this quest. If we squashed every ‘crazy’ idea we have, then we can never move forward and dream any impossible dreams.
When master Chamorro dance instructor, Frank Rabon took the stage to present, I was hungry for his knowledge on Guam history. I was awestruck by his understated poetic descriptions and his eloquent explanations. I learned so much from his presentation that I wanted more.
Then, Inetnon Gefpa’go’s leader, Vince Reyes took the stage, inhabiting a different energy. He was engaging and spoke quickly and passionately. I loved learning about his evolution as the leader of the wonderful dancers we know today. He was candid in his struggles to portray the Chamorro culture in a way that was true to our people and true to his creative soul. His video of his dancers portraying Guam’s comfort women (*video below) left nearly everyone in tears. Set to Taylor Swift’s song, “Safe and Sound” and understated in shadows, I was moved to tears and spoke passionately to Vince after the conference to let him know that I see him, I understand his vision and I appreciate his voice.
Heidi Chargualaf Quenga’s (Kutturan Chamoru Foundation) passion for connecting Chamorro artists and dancers on Guam with those on the mainland struck home as well. Guam is unique in that we are literally everywhere on this planet. And those not physically on the island, the diaspora, long to remain connected to our Chamorro roots. We need a guiding hand, we need to feel embraced and we need to cast our net home to our shared history and lineage.
Sandy Flores Uslander’s new group, Uno Hit is yet another glorious manifestation of the Chamorro spirit. The group has sprinted toward the fest and has done amazing with little resources and a short amount of time. Their strong will to learn and connect has proven successful.
Michael Lujan Bevacqua started his presentation in Chamorro. A language that I sadly cannot fully understand, but I found myself on the edge of my chair, ears perked, eager to learn, trying to decipher what I did know. I am excited that the University of Guam (UOG) and impassioned educators like Bevacqua are spearheading the Chamorro Studies Program. Something not offered when I attended UOG in the 90s. They are also looking into offering the course online which will be invaluable to us on the mainland.
Monica Okada Guzman of CAHA (Guam Council on the Arts & Humanities Agency) discussed the upcoming Festival of the Pacific Arts, known as FESTPAC, which is slated to be hosted by Guam in 2016. I’m excited about the opportunity to represent Chamorros with my literature and plan to produce more in the next two years.
MONDAY: When I headed to LAX for my flight home, I thought about the date. It was March 31st. My father died on this date seven years prior. I miss him dearly and he was my guide into the Chamorro culture. When he passed away, I felt lost and disconnected from being Chamorro. It prompted me to write Sirena and Attitude 13 in 2010. I wanted my dad’s name, Tedy Gamboa Chargualaf to be in print, even if it was only on my dedication page. I am always trying to make him proud. And, being in San Diego to celebrate being Chamorro, I know he would be. My flight was due to leave at 5PM and I was set to be reunited with my children and husband in Seattle at 7:30PM. This time, and this date were poignant for me because my father died on sunset (7:30PM) on the last day of Mes Chamorro (Chamorro Month).
I wandered around LAX an hour early, with swirling thoughts of culture in my mind and a rumbling hunger in my belly. I walked into a diner and opted not to get an overpriced burger. I strolled to the deli, then opted not to get the ten dollar turkey sandwich which was more lettuce and bread than protein. Then, in an effort to satiate my belly, I went into Hudson News. I strolled among the overpriced books. Dabbled with the idea of buying my children stuffed animal souvenirs they didn’t need, then settled on a bag of peanut M & Ms. Then, I watched as Mr. Thomas Jacob Black, best known as Jack Black walked into the magazine section. I wondered how no one could notice this. I parted the line of customers and headed right for him, slowly, cautiously. Our paths intersected and I spoke softly, like I wanted his presence to be my secret. And, I didn’t want him to fly away, like the rare exotic bird he is.
He smiled and left the store. I carried on, excited about meeting a man who did not act snobby Hollywood with me. One who is always himself first and one who has found success by being true. It reminds me to be myself and gives me hope that by doing so I can find my form of success.
So to San Diego, the Chamorro Cultural Fest, the Uno Hit Conference, my father, Tedy, my West Covina Wolf Pack and to Mr. Jack “Nacho Libre” Black, I say ‘SKADOOSH!’ Here’s to being awesome. Here’s to being yourself.
It had been a year and a half since I left San Diego, California. A place that became my home after I moved from Guam, the obligation of being a Navy wife. After 8 years of setting down semi-permanent roots, really being more like a potted plant, we moved north.
I had to loosen ties with the Chamorro group CHE’LU and hence my participation in their 4th Annual Chamorro Cultural Fest in 2013. (Don't get me started on my San Diego Comic Con withdrawal). But, this last weekend, I spent four days in California, attending the fest, the Uno Hit Conference and reconnecting with family and friends.
SATURDAY: Being at the fest was like I was set on a cultural recharge docking station. I didn’t realize how much I needed to reconnect until I was actually there. I enjoyed the sun that day. Jacobs Market Creek Plaza is really a little utopian gem with its mini cultural houses. It was great to see colleagues and friends and family. I set out to sell 200 books, but only met a quarter of that goal and I thank those who took the time to purchase my books. Thank you to Sandy and Dr. Judy Flores of Guam Batik Gallery, our tireless and wonderful booth mates.
I made many new friends, like the talented artist, author, vet and fellow Chamorrita, M.B. Wilmot, best known as The Desert Warrior. I thanked Rear Admiral Peter Gumataotao for his service. He is the highest ranking Chamorro in the Navy and he makes us all proud. I spent time catching up with old friends who told me for weeks how excited they were that I was coming back to town. I’ve been honored by the love my San Diego family has shown.
SUNDAY: Uno Hit’s 2nd Annual Conference was held Sunday at the Sons and Daughters of Guam Clubhouse. My mali’ and business sister of Guam Books and Beads and I attended, our sore feet and sun soaked skin barely recovering from the fest the day before. In our stillness during the conference, it was our brains and my Chamorro heart that worked overtime.
I was moved by Sakman leader and cultural enthusiast, Mario Borja. His repetitive message that yes, his endeavor of sailing the sakman (canoe) to Guam from the mainland may be “crazy” resonated with me. They are willing and prepared for this passionate journey and who are we to judge this quest. If we squashed every ‘crazy’ idea we have, then we can never move forward and dream any impossible dreams.
When master Chamorro dance instructor, Frank Rabon took the stage to present, I was hungry for his knowledge on Guam history. I was awestruck by his understated poetic descriptions and his eloquent explanations. I learned so much from his presentation that I wanted more.
Then, Inetnon Gefpa’go’s leader, Vince Reyes took the stage, inhabiting a different energy. He was engaging and spoke quickly and passionately. I loved learning about his evolution as the leader of the wonderful dancers we know today. He was candid in his struggles to portray the Chamorro culture in a way that was true to our people and true to his creative soul. His video of his dancers portraying Guam’s comfort women (*video below) left nearly everyone in tears. Set to Taylor Swift’s song, “Safe and Sound” and understated in shadows, I was moved to tears and spoke passionately to Vince after the conference to let him know that I see him, I understand his vision and I appreciate his voice.
Heidi Chargualaf Quenga’s (Kutturan Chamoru Foundation) passion for connecting Chamorro artists and dancers on Guam with those on the mainland struck home as well. Guam is unique in that we are literally everywhere on this planet. And those not physically on the island, the diaspora, long to remain connected to our Chamorro roots. We need a guiding hand, we need to feel embraced and we need to cast our net home to our shared history and lineage.
Sandy Flores Uslander’s new group, Uno Hit is yet another glorious manifestation of the Chamorro spirit. The group has sprinted toward the fest and has done amazing with little resources and a short amount of time. Their strong will to learn and connect has proven successful.
Michael Lujan Bevacqua started his presentation in Chamorro. A language that I sadly cannot fully understand, but I found myself on the edge of my chair, ears perked, eager to learn, trying to decipher what I did know. I am excited that the University of Guam (UOG) and impassioned educators like Bevacqua are spearheading the Chamorro Studies Program. Something not offered when I attended UOG in the 90s. They are also looking into offering the course online which will be invaluable to us on the mainland.
Monica Okada Guzman of CAHA (Guam Council on the Arts & Humanities Agency) discussed the upcoming Festival of the Pacific Arts, known as FESTPAC, which is slated to be hosted by Guam in 2016. I’m excited about the opportunity to represent Chamorros with my literature and plan to produce more in the next two years.
MONDAY: When I headed to LAX for my flight home, I thought about the date. It was March 31st. My father died on this date seven years prior. I miss him dearly and he was my guide into the Chamorro culture. When he passed away, I felt lost and disconnected from being Chamorro. It prompted me to write Sirena and Attitude 13 in 2010. I wanted my dad’s name, Tedy Gamboa Chargualaf to be in print, even if it was only on my dedication page. I am always trying to make him proud. And, being in San Diego to celebrate being Chamorro, I know he would be. My flight was due to leave at 5PM and I was set to be reunited with my children and husband in Seattle at 7:30PM. This time, and this date were poignant for me because my father died on sunset (7:30PM) on the last day of Mes Chamorro (Chamorro Month).
I wandered around LAX an hour early, with swirling thoughts of culture in my mind and a rumbling hunger in my belly. I walked into a diner and opted not to get an overpriced burger. I strolled to the deli, then opted not to get the ten dollar turkey sandwich which was more lettuce and bread than protein. Then, in an effort to satiate my belly, I went into Hudson News. I strolled among the overpriced books. Dabbled with the idea of buying my children stuffed animal souvenirs they didn’t need, then settled on a bag of peanut M & Ms. Then, I watched as Mr. Thomas Jacob Black, best known as Jack Black walked into the magazine section. I wondered how no one could notice this. I parted the line of customers and headed right for him, slowly, cautiously. Our paths intersected and I spoke softly, like I wanted his presence to be my secret. And, I didn’t want him to fly away, like the rare exotic bird he is.
“Hi, I’m Tanya.” I said through a geeky smile.
He eyed me curiously and smiled, “Hi, Tanya. I’m Jack.”
“I know. (We Chamorros always know). I’m a big fan.”
Then my incessant need to explain why I was in LAX took over. He listened graciously. I said, “I’m headed back to Seattle and just wanted to get a souvenir for my kids.”
“Well, there’s a Vanity Fair over there. That might be good.”
We laughed, in whispers, of course. Still no one approached. “No, but I think, if you don’t mind, a photo?”
“Sure.”
“My kids would definitely prefer a photo of Mr. Kung Fu Panda himself.” (God, I’m such a dork. I really wanted to say I loved him in High Fidelity and School of Rock and that Tenacious D is awesome and he is a great singer and is hilarious).
We smiled and I took a nearly flawless selfie of us.
He glanced at it and said, “That’s a good one.”
“Thanks so much.” I said in my over-excited voice, now struggling to maintain a whisper.
He smiled and left the store. I carried on, excited about meeting a man who did not act snobby Hollywood with me. One who is always himself first and one who has found success by being true. It reminds me to be myself and gives me hope that by doing so I can find my form of success.
So to San Diego, the Chamorro Cultural Fest, the Uno Hit Conference, my father, Tedy, my West Covina Wolf Pack and to Mr. Jack “Nacho Libre” Black, I say ‘SKADOOSH!’ Here’s to being awesome. Here’s to being yourself.
Subscribe to:
Posts (Atom)
A Story of a Stolen Mermaid--(and the Infringement of an Artist)
Fact: I wrote Sirena: A Mermaid Legend from Guam in 2010. Fact: My brother, Sonny Chargualaf is the talented artist behind the imagery. ...

-
Chamorro Language & Culture: Literature Spotlight: Tanya Taimanglo : In the Chamorro community, we're seeing an increased interest i...
-
Fact: I wrote Sirena: A Mermaid Legend from Guam in 2010. Fact: My brother, Sonny Chargualaf is the talented artist behind the imagery. ...
-
Excited to start my second year with NaNoWriMo (National Novel Writing Month). I consider this the kick in the pants I need to get a novel f...